《越狱》主要演員介紹

1. 多米尼克·珀塞爾（Dominic Purcell） 飾 林肯·巴羅斯（Lincoln Burrows）
2. 溫特沃思·米勒（Wentworth Miller） 飾 邁克爾·斯科菲爾德（Michael Scofield）
3. 羅賓·塔妮（Robin Tunney） 飾 維羅妮卡·多諾萬（Veronica Donovan，女律師）
4. 阿馬里·諾拉斯克（Amaury Nolasco） 飾 弗南多·蘇克雷（Fernando Sucre，邁克爾室友）
5. 馬歇爾·奧爾曼（Marshall Allman） 飾 里傑·巴羅斯（Lincoln "L.J." Burrows Jr.，林肯之子）
6. 韋德·威廉姆斯（Wade Williams） 飾 布拉德·貝里克（Brad Bellick，獄警長）
7. 保羅·埃德爾斯頓（Paul Adelstein） 飾 保罗·科乃珀 （Special Agent Paul Kellerman 探員）
8. 羅伯特·奈普（Robert Knepper） 飾 瑟多·巴格韋爾（Theodore "T-Bag" Bagwell）
9. 洛克曼德·鄧巴（Rockmond Dunbar） 飾 本傑明·弗蘭克林（Benjamin Miles "C-Note" Franklin）
10. 維恩·卡里斯（Sarah Wayne Callies） 飾 薩拉·唐克里迪（Dr. Sara Tancredi，獄醫））

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01。多米尼克·珀塞爾（Dominic Purcell） 飾 林肯·巴羅斯（Lincoln Burrows）

02。溫特沃思·米勒（Wentworth Miller） 飾 邁克爾·斯科菲爾德（Michael Scofield）

03。羅賓·塔妮（Robin Tunney） 飾 維羅妮卡·多諾萬（Veronica Donovan，女律師）

04。阿馬里·諾拉斯克（Amaury Nolasco） 飾 弗南多·蘇克雷（Fernando Sucre，邁克爾室友）

05。馬歇爾·奧爾曼（Marshall Allman） 飾 里傑·巴羅斯（Lincoln "L.J." Burrows Jr.，林肯之子）

06。韋德·威廉姆斯（Wade Williams）飾 布拉德·貝里克（Brad Bellick，獄警長）

07。保羅·埃德爾斯頓（Paul Adelstein） 飾 保罗·科乃珀 （Special Agent Paul Kellerman 探員）

08。羅伯特·奈普（Robert Knepper） 飾 瑟多·巴格韋爾（Theodore "T-Bag" Bagwell）

09。洛克曼德·鄧巴（Rockmond Dunbar） 飾 本傑明·弗蘭克林（Benjamin Miles "C-Note" Franklin）

10維恩·卡里斯（Sarah Wayne Callies） 飾 薩拉·唐克里迪（Dr. Sara Tancredi，獄醫））

《越狱》第一季-剧情介绍-第二十二集（完）

       监狱高墙上探照灯全部亮起，曼奇被迫供出逃跑人员名单，得知他们越狱成功，其他犯人欢声雷动，大肆庆祝。

　　贝里克被救出后，立刻率领人马杀气腾腾地开始追踪越狱者。狱长波普着手调查，他怀疑出了内奸。维罗妮卡到达蒙大拿，驱车前往查到的电话地址。
　　越狱一行人找到阿布兹派人安排的汽车前，略施小计，扔下“铁丝”扬长而去。阿布兹在车上要对付“背包”，他却早有预防，把自己和迈克尔铐在一起，并吞下钥匙，阿布兹投鼠忌器，只得暂时放过他。为了绕过警方检查，车子陷在泥地里动弹不得，他们只能弃车行而，迈克尔赶走了图纳。同时，贝里克发现了停车的地方和图纳的手印。在波普的追问下，凯蒂最终说出萨拉对迈克尔有好感。
　　迈克尔等人躲过了直升机的搜寻，来到一处农家小屋，发现这里有汽车却没有发动机。铁丝“借走”了一辆自行车继续逃亡。贝里克找到丢弃的汽车，很有把握他们没走远。等候阿布兹的飞机引起了管理员的怀疑，叫人查询其底细。
　　苏克雷等人按倒“背包”，想剪开手铐未果，阿布兹操起斧子，砍断了“背包”的手，其他人目瞪口呆，越狱小组又甩掉一人。公司决定用一种毒药除掉成为障碍的副总统，总统却意外身亡，副总统大难不死，顺理成章接替他登上宝座。芝加哥警察破门进入萨拉家，发现她注射了过量吗啡，倒在沙发上人事不省。维罗妮卡摸进房子，出现在被林肯“杀死”的泰伦斯面前。
　　剩下的五人突破警方防线，向飞机奔去，快到跟前时，等不及的飞机终于起飞，从他们头上呼啸着掠过。发现踪迹的警车正向他们飞驰而来，五人只能继续奔向夜色茫茫的旷野。——第一季结束

 

參考

 

Prison Break
Episode 122 "Flight"
Airdate: 05/15/2006

The prison alarm screams and the flood lights fill the yard.

The guards have Manche face down and he’s begging for his life. C.O. JJ yells into his walkie-talkie, “We got a 1098! Inmates over the wall!” JJ wraps his arm around Manche’s thick neck and demands to know who else was involved. Manche gives up the names, “Scofield, Burrows, Sucre. That Vanilla Ice Kid, Bagwell, C-Note, Abruzzi and that bug-eyed J-Cat.” JJ presses him for more and Manche solemnly says, “Westmoreland.”

Pope storms into the infirmary and asks how many inmates escaped. C.O. JJ tells him eight. Pope walks into Sara’s office to see the window gone and the bars removed. His eyes drift down to Westmoreland sitting lifeless in the same place Michael left him.

A-Wing is filled with the sounds of celebrating inmates who know Michael and the P.I. crew are on the run. Pope pushes through the second tier and into Michael’s cell. The toilet is removed and the hole into the wall is exposed. He walks back out onto the tier and looks over the inmates. C.O.s Patterson and Mack run down the tier, “Warden, they just found Bellick.”

Two guards pull Bellick out of the hole. He immediately asks for his shotgun and a C.O. tries to tell him that Pope is already giving orders. But Bellick cuts him off and yells, “Did I stutter? Get me my shotgun!” Bellick fumes and the C.O. flips Bellick his shotgun.

Bellick walks out of the sally port to a crowd of guards surrounding Warden Pope. He’s barking orders over a bullhorn, “Those men made a choice when they went over that wall. And that choice was to become a threat to society again. Some of them are convicted killers. Our job is to ensure the safety of the general population, which means that if we need to bring those men down in order to maintain that safety, then we’ll do it. We’re playing for keeps now, gentlemen.” Pope tells them if the cons are on foot they’ll be about a mile away and if they secured a vehicle, they could be ten miles away. Squad cars and SUVs speed away into the night.

Keeping their heads low and deep in the brush the eight cons hide feet from the sally port. C-Note tells Michael they need to move, but Michael says they have to wait until all the guards are ahead of them. But Sucre points out several K-9 units approaching their location. The dogs are placed into a truck without incident. Michael whispers, “They can’t smell us!” Suddenly, the dogs bark furiously and claw at their cages. Abruzzi grabs Michael and strains, “But they can see us!” The C.O.s draw their weapons and move towards the barking dogs. They shine their flashlights in the brush, but the cons are gone.

The eight men run through the thick forests surrounding the prison.

Veronica drives along a dark road in her rental car. She calls Nick and leaves a message on his phone, “Hey Nick, it’s me. Look, I just landed in Montana and I’m about an hour outside of Blackfoot. And this house, it’s got something to do with Terrence Steadman’s murder, I know it. And if whatever is here can help free Lincoln, then I wanted to say thank you. Bye…” At the other end, Nick’s body is heaped against a chair with a bullet wound to his head.

Vice President Reynolds tells Brinker that she can’t properly fund her campaign without Company help. Brinker is doing her best to sever the ties with Reynolds, but the Vice President is insistent and wants to know why she’s not being backed. Brinker tells her that she’s unable to effect what happens inside the Oval Office and the Company needs someone who can. Brinker says, “You can’t get things done. It’s that simple.” Reynolds defiantly replies, “Maybe you don’t know me so well.” Brinker suggests that Reynolds should drop out of the race, or the Company will do it for her.

Lincoln holds open a gap in a barbed wire fence. Tweener runs in too quickly and slices his hand on the wire. When Haywire approaches, Lincoln grabs a handful of his white jumpsuit and tells him to take it off. But Haywire can’t, he’s not wearing anything underneath. Abruzzi pushes Haywire through, they’ll deal with Haywire later.

The men come upon an old mill. With Abruzzi leading the pack, he kneels and looks over the property. Sucre and C-Note ask Abruzzi where the van is. Abruzzi says, “Ye of little faith,” then runs off. The others follow.

The men find a large blue van parked inside. Abruzzi tells Lincoln to drive, and Michael smashes the tail lights to make the van harder to see. Tweener moves his hand after resting on the wall and he leaves a bloody print. Inside the van, Lincoln asks Abruzzi where the keys are. Abruzzi tells him their in the garbage and Lincoln orders Haywire to go get them.

When Haywire jumps out of the car, the rest of the inmates pile in. While Haywire digs through the garbage, Abruzzi hands Lincoln the keys. Lincoln starts the van and speeds past Haywire.

C.O. Stolte updates Pope on the manhunt. They have set up traffic check points and added the names of the escapees to the passenger watch lists at nearby airports. In addition, they’re setting up surveillance and wiretaps on the houses of the inmate’s family members.

Pope turns and address a man investigating the door to the infirmary. The man tells Pope, “Door wasn't forced. Lock wasn't picked. Far as I can tell, they basically just walked right in.” An orderly nearby says it’s impossible because the doors are locked every night, unless someone left it open for them.

The van speeds down the back roads. T-Bag asks Abruzzi why he insisted that Lincoln drive and Abruzzi sit in the seat he’s in. Abruzzi doesn’t answer and moves his fingers underneath T-Bag’s seat searching for the handle of a small pistol. T-Bag’s moves his hands underneath his shirt concealing that he has affixed one side of the handcuffs to his left wrist. Before Abruzzi can pull the trigger, T-Bag reaches out and cuffs the other side to Michael’s right wrist. Abruzzi says that won’t stop him and forces the muzzle against T-Bags temple. T-Bag warns that if John pulls the trigger, then he’ll have to drag T-Bag’s dead body with him and that could jeopardize Abruzzi getting Fibonnaci’s location.

Abruzzi holds T-Bag as Michael searches for the key. T-Bag holds the key in his teeth, and then swallows it before they can pull it out. “Oops,” he taunts Michael and John.

The silhouettes of two men are working in a laboratory. One man explains, “This glycoside saxitoxin hybrid goes to work in the blood stream instantly,” as his hand moves across the beakers before him. Miles away, in her hotel suite, Vice President Reynolds looks over work at her desk. The man continues, “Five minutes is the outside limit even the strongest cardiac muscles can continue to function. After that, massive cardiac arrest with no chance of survival.” Reynolds looks over papers, making notes. He adds that toxicology tests will find nothing, the death will appear to come from natural causes. The man turns and holds out the beaker. He looks to the other man and questions, “This is high treason, you know that, don’t you?” The other man says nothing, then leaves.

Bellick scours the mill area with a team of guards. They find Tweener’s bloody hand print and the dogs have the scent. Another C.O. shows Bellick the broken tail light as Patterson brings over a local man who says he saw a blue van parked there earlier.

The tension grows between Abruzzi and T-Bag until Michael snaps and tells them to shut up. Michael tells them they’re about five miles from the airfield. C-Note leans toward Abruzzi and whispers, “Your jet better be there, Mr. Mafia. You feel me?”

The pilot of Abruzzi’s jet listens to this walkie-talkie and is growing increasingly nervous about the police response in the area. Maggio stands nearby, popping pistachios in his mouth.

Pope grills nurse Katie about the infirmary door being unlocked. Katie defends that she certainly didn’t leave the door unlocked. Pope asks if it was Dr. Tancredi, and Katie does her best to protect Sara but Pope knows she’s hiding something. Pope tells her she’ll be an accessory to the escape if she doesn’t tell him. Katie, ashamed that she’s betraying Sara, tells him, “Sara had a thing for Scofield.”

As the van continues, Sucre quietly says that all he wants to do is touch Maricruz’s belly and connect with his baby. Lincoln alerts them to a police roadblock ahead that cuts off their path to the airfield. Lincoln rolls the van off the road. Tweener panics and the cons go over their options. Michael sees a dirt road not far ahead and Lincoln moves the van towards it.

The cons bounce around the inside of the cab. Michael is growing tired of being wrist locked with T-Bag and tells him he’s going to get the key one way or another. The van lurches to a stop. The wheels spin in the mud and the men jump out to push it.

A man in a suit pushes a case of water bottles into the kitchen of a hotel in Washington D.C. A guard asks to see ID, and the two men with the cart flash badges that read “SECRET SERVICE.” The guard nods and the men place the water bottles on a table intended for an upcoming speech.

The van is stuck and Lincoln jumps out of the driver’s seat. Michael tells them that the airfield is about two miles from where they are and Abruzzi says they need to move. After the cons take off, Michael grabs Tweener. “This is as far as you go my friend,” Michael tells him. He tells Tweener that he’s lucky he hasn’t told the other men what he knows and tells Tweener to go. Tweener knows Michael is right, and runs off on his own. T-Bag looks down the road, “We got trouble, Pretty!” Michael and T-Bag sprint off to catch the others.

A helicopter buzzes overhead, searching the brush with its spotlight. The cons run blindly through the woods. They crash through the tree line and suddenly stop in their tracks. The cons stand on a rock ledge over looking a rock quarry, the ground is two hundred feet below them. For a moment it’s quiet, but the helicopter is coming back.

The cons press their bodies against a rock outcropping as the helicopter races over them. C-Note yells out, “There is no way we’re going to make two miles like this. Not with that bird up there!” Sucre looks down to the base of the quarry and sees a small mobile home next to a beat up old car. He yells back, “We are if I got something to do with it!”

Inside a garage next to a rustic Midwest farm house, a young girl stands next to her bike on a workbench. She spins a wheel and listens to the clicking sound of a playing card smacking the spokes. Behind her, Haywire watches through a dirty window.

The air strip controller walks up on Maggio and the pilot. Maggio turns to talk with him, at the same time he draws his gun from his coat pocket and keeps it behind his back. The controller tells them there’s no traffic allowed after sundown. Maggio tells him that they had some mechanical problems and that they’ll be on their way shortly. The controller turns and walks away and when he’s clear from Maggio’s view, slides a cell phone from his coat. He quietly tells someone, “Hey, it’s me. We got an unidentified aircraft out here at Goose Park. Think you better have a look at it.”

Sucre sits behind the wheel of the beat up old car on the floor of the quarry with Lincoln looking over his shoulder. Sucre boasts that hotwiring that old car will be easy for him.

Michael and T-Bag sit and rest nearby and C-Note kneels next to them and asks if Mexico is a place for a man to raise a family. Michael says it will certainly be dangerous and they probably won’t have much of a life. C-Note says that at least it will be a life and there’s no way he’s leaving his family behind.

Sucre pulls wires from the steering column with a big smile on his face. John and Lincoln watch as Sucre sings, “Red’s the juice. White’s the ground. Strike ‘em together and we blow this town...” Nothing happens, the engine doesn’t even click. Abruzzi walks to the front of the car and flips the hood. The three of them look down into an empty hole where the engine should be.

Haywire creeps into the garage and moves towards the girl. She sees him and backs away. Haywire pauses and stares at the girl. Then, he flips her bike off the table and moves towards the entrance. On the way out, he grabs an old fashioned football helmet from a shelf and smashes it down on his head. He apologizes to the girl, and then pedals into the night.

Bellick stands at the front of the ditched van giving Pope an update, “Engine’s still warm. And I’m not seeing any other tire tracks out here. They’re on foot. And judging by how hot this engine is, they haven’t gotten far. Five, ten minutes ahead of us at the most.” In a command center at the prison, Pope marks off Bellick’s location on a giant map. He traces the roads with police units near Bellick, then somewhat relieved says, “Brad, this could be over quicker than we thought. We got ‘em boxed in.” Bellick smiles and hangs up the phone.

C.O. Stolte enters the command center and gives Pope a status about Sara. None of the staff spoke with her; she left suddenly in the afternoon, and then returned for about an hour. She’s not answering her phone and the Chicago police are obtaining an emergency warrant to enter her apartment. Stolte pauses a moment, then asks Pope if he’s going to call the governor about his daughter. Pope knows he has to do something, but this isn’t the time.

Patterson tells Bellick the dogs picked up two trails, and they head in opposite directions.

Veronica walks around the back of the home in Blackfoot. She slides close to the house and looks inside the kitchen. Veronica stands outside watching Terrence use a blender to turn vegetables into juice. Terrence leaves the kitchen and Veronica tries the backdoor. The door opens and she quietly moves into the kitchen then slowly walks through the rest of the house.

Vice President Reynolds stands behind a podium before a group of reporters. She finishes a statement about tax cuts, then reaches over to grab a bottle of water. A reporter asks her a question as the Vice President twists off the top. She answers the man’s question, then brings the bottle up and takes a drink. In the back of the room, a man begins moving from reporter to reporter whispering something in their ears. One by one, the reporters hurry from the conference. The Vice President tries to call order, but she’s stopped by a secret service agent. He whispers in her ear and the bottle of water slips from her hand.

Lincoln and C-Note sprint ahead of the group as they come upon a farm. Sucre and Abruzzi follow them into a barn, but T-Bag and Michael are dragging far behind. When T-Bag and Michael finally enter the barn, Lincoln and Sucre close the doors behind them. Lincoln grabs T-Bag and forces him down on the hood of a car parked in the barn. Sucre grabs a pair of rusty garden shears as T-Bag struggles to get free from the group. Sucre clamps the rusty blade down on the metal chain between the cuffs, but the blade is too dull and doesn’t do a thing. “Guess it was just meant to be, hey now fellas?” T-Bag taunts them. Behind T-Bag, Abruzzi raises an axe over his head then sinks the axe blade into T-Bag’s wrist. T-Bag screams wildly.

The others circle around, stunned at what Abruzzi just did. “He’s lucky I didn’t take this to his head,” Abruzzi says with satisfaction. Sucre stutters, unable to grasp what happened. Outside, the farmer stands near the barn with a shotgun, “Hello?” he calls out. The farmer racks his shotgun, and then walks back to his house still suspicious about the scream he heard. Lincoln tells the crew to move; Sucre hesitates and argues that they can’t leave T-Bag. T-Bag shakes on the ground, his severed hand lying close to his face. Sucre knows he can’t stay and follows everyone out.

Bellick charges through the woods surrounded by dogs and C.O.s. At the same time, Tweener sprints through the woods until he comes to a road with a line of cars being delayed by construction. Tweener hears the dogs behind him and looks to the road at a horse trailer. He dashes across the road and climbs into the back. A construction worker waves the cars through, Tweener is in the clear.

Pope calls the governor and prepares to tell Governor Tancredi the news about the escape and his daughter. When the governor answers, Pope apologizes for calling him but before he can finish, Tancredi cuts him off, “I suggest you turn on your TV, Warden,” then hangs up the phone.

Pope hurries to his office where Becky and the C.O.s are standing around a television. A news anchor reports that the President was admitted to a hospital where he then suffered a massive heart attack. Doctors were unable to save him. The anchor continues to say, “And keeping with protocol, Vice President Reynolds is in an undisclosed location, being sworn in as the 46th president of the United States.”

Vice President Reynolds stands in the hotel kitchen holding one hand in the air, and the other on a Bible held by a local judge. She takes the Presidential oath surrounded by aides and secret service men. Kellerman stands proudly behind her. She excuses herself and on the way out crosses Brinker. Reynolds looks into Brinker’s eyes and says, “And you said I couldn’t get things done.” Brinker tries her best to stay on Reynold’s good side, but Reynolds won’t budge. She blows off Brinker and exits.

Chicago Police officers stand around Sara’s apartment door. One cop shouts that the have a warrant and unless she opens the door, they’re going to have to force their way in. When there’s no answer, they kick open door and file into the apartment. They round the corner and move to the living room where they find Sara. She lays face down, an empty bottle of morphine and a used syringe within arm’s reach. The officers holster their weapons, knowing that Sara has overdosed.

Tweener rides in the horse trailer, curled up and out of sight, fear covers his face. The truck and trailer pass a sign, “ST. LOUIS – 256.”

A playing card clicks on the spokes of Haywire’s stolen bike. His helmeted head twitches back and forth as he keeps a look out for police.

The five remaining cons dive into a ditch when they see a police SUV parks at the end of a bridge near them. “Just 500 yards and this whole thing is over.” Abruzzi warns, “Every second we stay here is another chance for them to find the plane!” A squad car races across the bridge and Michael signals them to move. As the others go, Lincoln grabs his brother, “If this doesn’t work out, I just want you to know…” Michael smiles, he knows. They run off after the others.

Just as the men clear the bridge, they’re spotted by the SUV. The officer at the wheel demands that they stop, but the men run on.

Veronica walks through the Steadman house and into the living room. She creeps up to a large leather chair next to a fireplace. Terrence sits asleep, but hears Veronica and slowly wakes up. “Hello Terrence,” Veronica says confidently. Terrence looks at Veronica with uncertainty.

The cons rush a small hill leading up to the airfield and they see the plane waiting.

The pilot fires up the engines and closes the door behind him, they can’t wait any longer.

The five men race down the run way, squad cars charge in from the surrounding area.

T-Bag stumbles through the woods, clutching his injured hand. Dogs bark behind him.

The plane rolls down the tarmac, full throttle. The cons stand at the foot of the runway and try to flag the plane down, but it’s too late.

The jet lifts off and flies over their heads. Celebration turns to panic. “What do we do now?” Sucre rasps, trying to catch his breath.

“We run!” Michael says.

The five remaining inmates run off into a field adjacent to the run way, the police chasing after them.

 

Reference

《越狱》第一季-剧情介绍-第二十一集

Dr.Sarah怀疑如果她帮助Michael打开那扇门，她就必须为完成Michael的逃亡计划而背叛Pope。Veronica发现了指向 Montana的证据，但是她意识到，离她最近的盟友也许竟是她最大的敌人。在“GO”这一集中，Michael，Lincoln以及其他越狱者会趁人不注意时逃跑，但是在警报响后，他们发现有人能成功逃脱，有人得被遗弃，有人会被装在带有拉链的装尸袋中……

參考

 

Prison Break
Episode 121"Go"
Airdate: 05/08/2005

Pope, the jagged blade aimed steadily at his throat, barks that Michael just added ten years to his sentence. Michael’s determination is undaunted. A walkie-talkie crackles on a nearby table as C.O. Mack radios in from the parking lot to inform Pope that Bellick’s truck is parked at the prison.

Michael grabs Pope to tell Mack that Bellick is taking some personal time. Pope tries to stall Michael, prompting Michael to move closer, threatening, “Do you really want to find out how badly I want to get my brother out of here?” Pope radios back to Mack that Bellick is fine. Michael asks for one more thing.

“Have Lincoln transferred to the infirmary. He needs to be there overnight,” Michael says as he restrains Pope to his office chair. Pope radios the request and Michael puts a gag in Pope’s mouth. Michael apologizes as he wheels Pope into a closet. He tells Pope they can find Bellick under the guards’ room, and then knocks him unconscious with the walkie-talkie. Michael closes the doors, turns to the desk and dials out on the phone. He places the receiver on the desk and exits.

Smiling on his way out, Michael innocently tells Becky that Pope is on the phone with the Department of Corrections. He doesn’t want to be disturbed. Becky nods her understanding and tells Michael, “I hope he’s told you how highly he thinks of you. There’s no way he would have finished the Taj Mahal in time for their anniversary without your help.” Michael turns to leave.

Bellick, still hidden underground, continues to furiously rake his restraints against the jagged bolt.

Michael walks back into his cell. Sucre waits nervously on his bunk. Michael checks his watch, five minutes until tier-time and then an hour to get as far away from Fox River as they can.

Westmoreland puts the case for his glasses in his mouth as he cleans his bleeding wound. He puts a clean sock on the wound, the pain making every movement excruciating.

Counting down the minutes until the cell doors open, T-Bag glares across the tier and locks eyes with Abruzzi.
Tweener uses the peroxide on this P.I. jumpsuit to bleach it white. He panics when he sees that there are still blue spots on it. His late start may cost him the chance to get out tonight.

C-Note hops off his bunk and sees Trumpets watching him closely. Trumpets slides his thumb across his neck, showing his intentions for C-Note.

Michael asks Sucre, “You unscrewed the toilet, right?” But Sucre sits dazed and apologizes. “That’s five minutes we don’t have,” Michael snaps. Michael grabs the bolt and moves to dismantle the toilet, but Sucre dives to the bowl and vomits. A silence passes between them as each considers the consequences if the plan fails. The buzzer interrupts their thoughts as the cell doors in A-Wing slide open. Michael hands Sucre the bolt. “There’s no going back now.”

The inmates shuffle out of their cells. Michael and Sucre stay close to their cell door. Abruzzi is the first to arrive, and hands Sucre his white jumpsuit. Sucre stashes it under the bed. The rest of the team arrives, each con working to appear casual while also aware of the time constraints. C-Note hovers over the railing knowing that Trumpets is after him. Tweener arrives and passes his suit to Sucre. Angry about the conspicuous blue spots remaining on the garment, Sucre throws Tweener’s suit under the mattress. Michael asks them to block the door so he can finish unhooking the toilet.

Trumpets’ crew gathers around him. Someone slips a sharpened nail into Trumpet’s hands. “I want him dead. Anybody gets in the way, gets run over.” Trumpets marches to the stairs.

Bellick finally cuts through the restraints that tie his hands and feet together. He hears voices from above. C.O. Mack and C.O. Patterson fill their coffee cups in the break room above him. Bellick tries to cry out but he’s muffled by the tape across his mouth and the carpeted floor above him.

C-Note hovers next to Michael, knowing that Trumpets is on his way. C-Note whispers “How many more screws?”

Trumpets pushes his way up to the second tier and the cons see him coming. As Trumpets moves to enter Michael’s cell, Abruzzi cuts him off, casually telling him he hasn’t seen C-Note. Trumpets tells the cons that they need to clear out and his thugs move in. Abruzzi steps aside and lets him enter the cell.

Michael sits on the bottom bunk and looks up at Trumpets. “Something you need?” he asks. Trumpets looks under the bed, but C-Note is nowhere in sight.

Behind the wall, C-Note sits quietly.
Nick sits across from Veronica, his gun on the coffee table between them. S the realization sinks in that Nick has been lying to her all this time, Nick justifies his actions. He explains that he was working to prove Lincoln was innocent and that Abruzzi’s men approached him after he took up the case. In exchange for watching her, Abruzzi’s people had someone already doing life in prison confess to the murder that his father was accused of. Nick tells her that no one is going to get hurt in this as long as Michael gives up Fibonnaci’s location. Veronica is stunned at Nick’s naiveté, give all they’ve gone though. Nick’s cell phone rings. He grabs the gun and forces Veronica to her feet.

As Westmoreland climbs through the wall, Michael hands him a white. Sucre drops a sheet across the cell door to provide cover as the rest of the team follows.

No longer hog-tied, Bellick struggles to his feet, doing his best to get attention.

Michael reaches past T-Bag and hands the next suit to Abruzzi. “Age before beauty,” T-Bag hisses as Abruzzi disappears. Sucre is last and asks Michael if he has the key to the infirmary. Michael replies, “Not exactly.” He empties some foot powder into his pockets.

Sara stands along Lake Michigan, the weight of Michael’s request on her mind.

Behind the wall, Michael pulls the toilet back into position, covering their tracks.

The other cons have moved a shelf in the boiler room to reveal the hole Michael started during the riots. Michael moves tells them they’re ten minutes behind. He jumps into the wall and the other inmates follow.

Bellick rubs the duct tape on his mouth against the edge of the hole, hoping to get it loose.

Michael moves through the now-familiar tunnels. Suddenly the pipes fill with Bellick’s cries for help. Michael halts and listens for a moment as Bellick yells again.

Patterson and Mack walk past the Guard’s Room. Mack stops and looks back, “Did you hear that?” They go back to the Guard Room to investigate.

T-Bag rushes up behind Bellick and clamps his hand over Bellick’s mouth as Mack and Patterson enter the room above them. T-Bag holds a blade close to Bellick’s face and they wait.

Mack and Patterson look around the Guard Room. They don’t see anyone. Mack swears he heard something, but the guards return to their rounds.

Michael tells T-Bag he needs Bellick’s hat and jacket. T-Bag drags Bellick through the pipes.

Sara sits in her car, collecting her thoughts. When she steps out, she’s at Fox River.

Where the underground pipes meet, Bellick is on his knees while the cons wait for Michael to get his uniform. The venom in Bellick’s voice is palpable as he observes, “Brains of the outfit, huh Scofield? He’s leading you off a cliff boys,” Bellick’s eyes grow wide when he sees Tweener emerge from the pipe. Bellick locks eyes with him. He’s about to tell the cons that Tweener betrayed them, but Tweener punches him and forces the duct tape back into Bellick’s mouth.

Veronica begs for her life in Nick’s car. Nick repeats his mantra that she’ll be fine as long as Michael tells them what they need to hear. Nick forces himself to move on and pulls a pillowcase over her head.

Michael orders the men to put on their bleached coveralls and that he’ll be back in a moment. C-Note wants to know where he’s going and shouts down the pipes, but Michael is already gone. Frustrated, the cons put on their jumpsuits.

Michael walks through the prison bowels until he finds a small utility box. He takes a handful of the foot powder from his pocket and blows it on the keys. When he leans in, he sees the powder has stuck to keys 1, 3, 5, and 8. Michael presses the numbers at random and between each sequence watches to see if the red light above the box will turn green. Each combination he tries doesn’t seem to work.

Charles moves his hand over his jacket; he’s bleeding through his clothes. C-Note notices but says nothing.

Far from Fox River, two men sit at a conference table. The first man suggests that they deal with the Vice President in simple terms and fire her. He continues on to say, “She’s plummeting in the polls. If we keep her as our candidate, we are handing the Presidency to her opponent. And then everything we hoped to gain with Caroline in office, it’s all gone.” The second man asks how can they be sure that Reynolds will stay quiet about what she knows.

Samantha Brinker steps in, offering her opinion of the Vice President. The only thing she desires is to become President. Without that, she has nothing to lose, and if they try and take her down, she might come clean on everything and everyone.

Sara walks down the infirmary hallway and the elevator opens. Lincoln is marched past Sara into the examining rooms. Sara’s face registers what this means; it’s happening tonight. She unlocks her office door and walks in. When she looks up, she looks at the vials of morphine across the room.

As the cons wait helplessly for Michael to return, Manche begins to panic. “Are we supposed to just stand here?” Sucre tells him that he doesn’t know. They have no choice but to wait.

Becky looks at the phone on her desk. Warden Pope’s line is still lit.

The buzzing of an alarm goes off across the yard. The cons look up, worried. At the utility box, Michael, too, is startled by the siren.

“We’re screwed!” T-Bag cries as Michael returns to the group. He tells them to move forward. The team is panicked, assuming the alarm if for them, but Michael explains, “It’s the fire alarm to the Psych Ward. I set it off.” Michael pushes past the escapees and up the ladder to the grate outside Psych Ward.

Due to the alarm, the inmates from Psych Ward filter out into the dark yard. Michael peeks up as a herd of white jumpsuits draws near.

A jet plane lands and taxis onto a remote airstrip. The pilot steps out with Maggio, saying, “We’re in the sticks. You know how many people must have heard a jet like this land?” Maggio isn’t concerned and holds a police scanner close to him.

A Psych Ward orderly walks out and tells the inmates that it was a false alarm and guides them in back inside. When the inmates far enough away from the grate, Michael and the cons climb out and follow. What they don’t know is that someone else is watching them from a distance.

Michael leads the men into Psych Ward, “Hold up!” he barks to Sklar, the orderly who mans the front desk, “Got some stragglers.” The cons slide through the doors. Sklar singles out Tweener, whose uniform still betrays the blue of the PI unit. “Wait a second. That ain’t whack shack-issued.” Michael plays the roll of C.O., ordering everyone to stay put. Sklar pulls Michael aside and whispers, “That’s John Abruzzi right there.” Michael agrees, feigns cooperation and asks Sklar if he has any sedative he can use to put John down. Sklar hands Michael a syringe who turns to Abruzzi, but instead sinks the needle into Sklar’s neck; he collapses on the floor. The cons take off down the hall.

Veronica begs Nick to stop. He pulls the car over and yanks the pillowcase off her head. He tells her that she needs to get to the airport and go to Blackfoot. He puts her in a cab, and as the cab pulls away, Nick flips open his phone, “Dad, you still got the key to my apartment? Meet me there.”

In the Psych Ward basement, the cons open the access hatch and drop into the tunnels that will lead them to the infirmary. Michael stops Tweener as the other cons climb down. Michael, calmly but intensely, tells Tweener, “I know what you did.” He makes it clear that once they’re on the outside Tweener will go his own way.

Sara hurries to leave the infirmary. Nurse Katie catches her on the way out and tells her about the fire alarm from Psych Ward. When she tries to continue the conversation, Sara just lowers her head and hurries out.

The men rush down the concrete tunnel, but Westmoreland drags behind. C-Note notices and doubles back. “Look, maybe it’s not worth it if it’s going to kill you,” he tells him. Westmoreland insists that he’s fine.

Again, someone stands nearby them, invisible, but closely following.

Sara walks through the secure lobby of the infirmary with Katie behind her. A C.O. locks the metal bars behind them, then disappears around the corner. Michael sticks his head out then darts down the hall. Once clear, he motions to the men and they file down the hall.

Vice President Reynolds throws her drink glass into the fireplace. Agent Kellerman thinks she’s overacting to the news that she was uninvited to a literacy fundraiser. The Vice President believes the Company is giving up on her and thinks she’s no long their candidate. Kellerman disagrees, thinking instead that the Company is doing this to test her and she needs to be strong.

Lincoln sits on an examining table while a C.O. rambles about how he plans to modify his truck. The C.O. sees Lincoln’s eyes move and turns to see Michael and the cons circling around. The C.O. puts his hands up, “I ain’t a hero for fourteen dollars an hour. You do what you will.” Michael makes him uncuff Lincoln, and T-Bag knocks him out with one punch. He hovers over the C.O. and notices the handcuffs locked to the table.

Charging in the front door of his apartment, Nick calls for his father. Nick’s father enters the living room followed by the man in the trench coat who spoke with Nick at the cell phone store. The man stands confidently, gun in hand.

Becky looks over at Pope’s line again. Too concerned not to, she reaches for the phone, but has second thoughts. She hesitates, presses the intercom button and hears the call. A voice on the line announces, “Welcome to Laugh Line! Just $2.99 a minute!”

The man in the trench coat asks Nick where Veronica is. Gone, Nick tells him. Now frustrated, the man raises his gun to the head of Nick’s father. Nick tells him he can find Veronica. “And will you have her here in front of me in the next two minutes?” the man asks. Nick pauses, then tries to explain why he can’t. The man fires a single shot and his father collapses. The man again asks Nick for Veronica’s location. Nick doesn’t answer. The man fires his a bullet into Nick’s shoulder. He moves closer and asks one more time. Nick laughs, “She’s about a million miles away from here. You’re never going to find her.” The man fires his gun directly at Nick.

The cons move through the halls to the infirmary door. Michael’s shoulders tense as he reaches out and grabs the doorknob. Michael turns to the gang, then turns the knob. Michael smiles, “We’re in.”

Sara sits in her car devastated about what she’s just done.
The cons move into action, “First we gotta get that window out, then we have to get the bars off.” Michael moves back out the door and down the hall.

Westmoreland turns away and hunches over, blood soaking through his jumpsuit.

Michael grabs a fire hose from the wall and unrolls it. He hands one end to C-Note and Abruzzi hurries to unravel the rest.

Becky knocks on the Warden’s office door and walks in. She looks around the office but doesn’t see him.

Sucre ties the fire hose to the bars on the window while Abruzzi ties his end off inside the elevator. Michael presses the down button, and the door slides shut, but, due to the hose, it bounces back open. Michael presses the button again; again the same result. T-Bag reminds Michael that they have fifteen minutes to get over the wall. Tweener pushes through the group, into the elevator, and presses the down button. The cons hurry for cover and watch the bars pull free from the window – the weight of the elevator blows them off easily.

Becky and C.O. Stolte walk into Pope’s office. She tells Stolte that she is certain she didn’t see Pope walk out.

The cons remove their white jumpsuits and hand them to Michael. Michael looks up and sees an unwelcome guest. Haywire creeps in with a C.O. radio in his hands. Michael tries to keep Haywire calm and Haywire demands to be part of the escape or he’s calling for the guards. Lincoln doesn’t hesitate: Haywire is in. They need to move.

Lincoln climbs out the window and grabs the thick cable leading from the infirmary to the far wall. Abruzzi piles the jumpsuits on Lincoln’s upside-down body. Lincoln climbs for the wall.

Stolte asks another C.O. guarding the hallway if he saw Pope leave. The C.O. says no and that he’d know - he hasn’t left his post since he punched in.

Lincoln moves across the cable and almost slips, but he regains his grip and makes it to the barbed wire lined wall. Lincoln throws the jumpsuits on the barbed wire, creating a gap. He signals Abruzzi who climbs out and begins to cross. Once on the other side, Abruzzi shimmies down a pipe and to the street below.

Westmoreland gasps and collapses to the floor. Michael and C-Note rush to his aid. C-Note pulls up his sweatshirt to reveal the wound. Michael tells him he only has a short way to go before he’s out. Westmoreland’s face is white as he clings to life. As the inmates continue their escape, Westmoreland makes Michael promise to take care of his daughter once he’s over the wall. Michael promises. Westmoreland reveals his secret, “The money’s buried under a silo at the Double K Ranch, just outside of Tooele, Utah. There’s plenty to split.” C-Note and Michael listen closely, “The government didn’t want any more embarrassment when I took off with that money, so they low-balled it in the papers. Truth is, Michael, it’s not one million under that silo, there’s five million dollars there.” C-Note and Michael look around; T-Bag heard.

Becky walks into the Warden’s office again, followed by C.O.s Stolte, Patterson and Mack. They’ve checked the prison; Pope isn’t anywhere to be found. Patterson suggests trying Pope’s cell.

Michael clenches Westmoreland’s hand, “Give Anna her Poppa’s love.” Michael smiles and says he will. T-Bag, meanwhile, grabs the cable, and starts his climb. Michael helps Charles be more comfortable as C-Note’s turn comes up and he goes out the window.

Becky, phone to her ear, stands silent. Suddenly, they hear the quiet chirping of a cell phone from inside the office. They turn and follow the sound: the closet. Becky opens the doors and gasps as the C.O.s call for back up. Becky removes the gag and Pope mumbles out, “Sound the alarm!”

Manche tells Michael they need to go. Westmoreland gives his last piece of advice to Michael - don’t look back. Once Michael stands, Charles’ eyes glass over. He’s gone.

Manche, seeing the fragile cable, sends Michael ahead. Once Michael grabs it, alarms and spotlights fire up across the prison. Lincoln calls for his brother to hurry. Manche watches nervously from the window, but can’t wait any longer. He grabs the cable and climbs out.

With only inches to freedom for Michael, the cable tears free from the wall under Manche’s weight. Michael crashes against the wall, Manche lands in the yard. Lincoln reaches down to grab his brother’s hand but can’t reach it.

Manche stands and hobbles towards the wall. Several guards charge towards him with shotguns poised. After securing Manche, one of the C.O.s notices the cable. He looks up to the see the white jumpsuits across the razor wire. Michael is gone.

He made it over.

Reference

《越狱》第一季-剧情介绍-第二十集

       贝里克发现迈克尔等人挖的地洞惊骇不已，猝不及防间突遭威斯特莫兰的袭击，一番打斗后他被捆住扔进地道，受伤的威斯特莫兰告诉迈克尔，必须在今晚警卫发现贝里克失踪前逃走。迈克尔立刻布置下任务，各人分头行动，如何把24小时受到监控的林肯弄出来成了最大的障碍。

       迈克尔向萨拉坦白越狱计划，请求她帮一个小忙，下班时别锁办公室的门。萨拉无法说服自己告发迈克尔，矛盾不已、进退两难的她，提前离开办公室作为逃避。副总统办事不力，遭到幕后支持者的斥责和威胁。

　　阿布兹打电话通知狱外同伙准备好飞机，并透露只有三个人能成功逃脱。

　　维罗妮卡查出蒙大拿神秘电话的地址与泰伦斯的公司有关，卡准备亲自去一趟，尼克同时接到阿布兹的电话指令。贝里克恢复意识后，拼命想挣脱绳索和胶带。

　　众人得知图纳也要和他们一起越狱表示强烈反对，但面对迈克尔坚决的态度只得作罢，“便条”把“背包”的刀子交给迈克尔，提醒他注意“背包”和阿布兹。迈克尔从泰姬陵上偷拿下一块支柱，他得到波普的许可在禁闭室看望林肯，发现林肯被锁在墙壁上，寸步难行。

　　萨拉从电视上得知父亲有望成为副总统的竞选人，而他对林肯死刑的坚决态度也被特别提到。

　　迈克尔要苏克雷用“便条”偷来过氧化物漂洗蓝色的囚服。毫无逃跑打算的图纳得知室友Avocado当晚要回来，终于下定了决心，开始做准备。各人怀着不同的目的，紧张等待最后时刻的来临。

　　尼克终于现出本出面目，把枪口对准正要出门的维罗妮卡，如梦方醒的她痛骂他是懦夫。

　　波普打算送给妻子作礼物的泰姬陵突然倒塌，他立刻召人去找迈克尔，这时警卫向他报告，贝里克失踪了。波普的办公室里，迈克尔拔出小刀，告诉波普他要越狱，而且带着林肯一起走。

參考

Prison Break
Episode 120 "Tonight"
Airdate: 08/29/2005

Bellick kneels on the floor and peers into the escape hole. He can hardly believe what he’s seeing. He’s about to stand up, when WHAM! A shovel slams him square in the face. Westmorland menacingly advances toward a stunned and staggering Bellick. Westmorland lands one more solid blow before Bellick recovers enough to fight back. Bellick blocks the next swing and pushes Westmoreland back against the lockers as he wrestles the shovel away. Bellick takes the offensive, landing a few gut punches on Westmorland. Bellick then shoves Westmoreland onto a countertop. Westmorland lands on a glass coffee pot, which shatters during the struggle. Bellick grabs for the shovel, then rears back for a vicious swing, but Westmoreland grabs a nearby metal thermos and smashes it against Bellick’s head. Bellick is knocked backwards, landing on his back. He slips into unconsciousness. Westmoreland takes a few breaths to collect himself. He looks down at his side and realizes a shard of glass from the coffee pot has been pushed deep into his abdomen. He grabs the shard and slowly pulls it out, trying his best not to cry out in pain. He then stands over Bellick, panic starting to show on Westmorland’s face.

Guards walk the fence line being led by several German Shepherds. The escape crew watches them as T-Bag notes that each time he’s been caught, it was always because of the dogs.

Charles pushes a small dumpster out of the Guard Room and does his best to conceal his wound.

T-Bag continues tell the cons that if you can’t get rid of your smell, the dogs will always find you. Abruzzi agrees and Michael tells them that they have to scrub anything in their cells that will have their smell on it. C-Note asks how much time they have left. Abruzzi tells them it will be three days until they will be allowed back into the Guard Room. Manche says that he will also have the extra suits by then. All that is left is for Michael to find a way to unlock the door in the infirmary and to figure out how to get Lincoln out of Ad Seg. Michael thinks three days will be plenty of time to sort out the last details.

Westmoreland then approaches the group. His face dead white, he tells them, “We’ve gotta get out of here…NOW.”

Westmoreland doesn’t know how, but Bellick found the escape hole. Westmorland tells them he covered the hole as best he could, but it’s only a matter of time before the other C.O.s notice that Bellick is missing. The cons look to each other and Michael asks Charles, “What do you mean, missing?”

A C.O. fills a cup of coffee in the Guard Room. Amazingly, there is no evidence of the earlier fight. However, just under the table of the Guard Room, Bellick still unconscious, lays bound and gagged.

Sucre contends that Fox River is a big place and no one will notice Bellick is missing. But C-Note tells him nothing happens inside those walls without Bellick’s approval. Michael, as focused as we’ve ever seen him, tells the group, “Soon as it gets dark, we go.” The crew is stunned. They aren’t sure they’re ready. Michael lashes out at them, “Then stay.” A tense moment, but the group quickly realizes there’s no other way. Michael asks if Abruzzi can have the plane ready tonight. John says he can. Next, Michael tells C-Note to grab as much peroxide from his kitchen duty as he can. Michael will get the infirmary key. The rest of them are to scrub down their cells to get rid of as much of their scent as they can. Michael tells them they’re leaving after dinner, during “Tier Time.” They’ll all exit through Michael’s cell, one by one. C-Note points out that they were supposed to leave through the Guard’s Room. If they leave through Michael’s cell they won’t have much of a head start. T-Bag nervously blurts out that if they plan to leave at seven that night, and eight o’clock is head count, that only gives them sixty minutes. Michael just nods and says, “Sixty minutes to get over the wall and as far away from here as possible.” Sucre interrupts, “They’ll be right on our asses!” Michael responds coldly, “They already are.”

Michael and Sucre walk the tier back to their cell. Sucre reminds Michael that Lincoln is still under 24-hour surveillance and if Michael can’t get to him tonight, the cons still need to make their break. Michael is well aware of that. Michael then looks across the tier, where he meets Tweener’s eyes looking back at him.

In Ad Seg, Lincoln calls for a C.O. He tells the guard his brother doesn’t know he was in an accident and asks if there’s anyway to get a message to him. The guard grimly replies, “Yeah. Put it in your will.”

Veronica finishes a phone call and hangs up. She tells Nick that she has a friend at the title company that was able to get the address for the phone number they found in Blackfoot, Montana. She continues, saying that the property was paid for through an offshore holding company bankrolled by a trust financed by Terrence Steadman’s estate. Veronica connects the dots, “Looks like you and I are going to Blackfoot, Montana.”

In the dark tunnel under the Guard Room, Bellick snaps back into consciousness. He quickly realizes he’s tied up and struggles to get free.

In the chow hall, C.O. Stolte asks C.O. Patterson if he’s seen Bellick yet. Michael walks behind them, listening in. Stolte continues, telling Patterson that Mack was looking for him, but Bellick hasn’t shown up yet. C-Note walks closely behind Michael, worried that the guards are going to find Bellick before they make their break. Michael asks when he can get the peroxide. C-Note says he probably won’t have it until after yard duty.

T-Bag zig-zags through the mess hall. He stops at the table of an inmate eating alone and asks the inmate for his brussel sprouts. The inmate is more than happy to hand them off, noting that they stink.

Michael finds Tweener sitting at a table alone and quickly whispers, “We’re leaving tonight.” The news catches Tweener off guard, when he asks for more info Michael tells him to find Sucre, he’ll fill Tweener in.

Inside an exquisitely decorated room, Vice President Reynolds stands surrounded by a group of men in expensive business suits who are interrogating her about the President passing the Energy Bill. Clearly they are unhappy with the Presidents change of heart. They expected the Vice President to make sure the President vetoed that bill. One man then asks Reynolds if she has enjoyed their support. He also advises her not to take their power for granted. Another man follows by telling her that eventually they always get what they want, that she may no longer be the right person to help them get their agenda done. A concerned look washes over the Vice President.

Michael stands in the infirmary waiting for Sara. Sara walks into the room without any pleasantries, locking the door behind her. Michael then tries to talk his way out of the trouble he’s made for himself. Sara cuts him off and tells him she has had enough of his stories and lies. She then asks if Michael is man enough to admit what he’s done. Michael admits to stealing the keys. Sara pounces on his every word. She just wants to know what he’s after. Michael apologizes, “Please understand, I never meant to involve you in this.” Then Michael lays it all on the line, “I came here to tell you something. I’m getting my brother out of here. Tonight. And I need your help.” Sara leans against the desk, her eyes locked on Michael. She knows he is telling the truth.

Sara begs Michael not to say anymore. She tells him escaping is not the way to save his brother. “You understand that I’m required to report everything you’re telling me,” she warns. When Sara asks why he would tell her, Michael says she is the only person who can help him. Sara grows agitated when she thinks Michael is trying to manipulate her with guilt. Michael contends that he is not asking her to hurt anyone or steal anything, he is simply asking her to make a mistake. All she has to do is leave the door open when she leaves tonight. Then it hits Sara, she has been part of Michael’s plan all along. Michael admits that at first his feelings for her were an act, but later he truly wanted to be there with her. Michael begs, “Whatever you might think of me, this is about Lincoln. Don’t make him pay for my mistakes.” Sara storms out.

Abruzzi stands at the phones talking to Maggio, his contact on the outside. He tells Maggio that they need the plane to be ready tonight. Maggio complains a little, but John sets him straight. John also asks if Maggio has arranged a van. Maggio says, “Waiting up Fitz street. Two hundred yards behind the body shop.” Then Maggio asks John if he wants a bigger plane because the one they have will only seat three and John mentioned that it will be seven or eight cons. John tells Maggio that not everyone is going to have a ticket. The three who are still breathing will get on the plane.

Veronica hurriedly arranges travel over the phone to Blackfoot. Nick’s cell phone rings and he answers it in the other room. Abruzzi is on the other end and tells him that Nick must take Veronica to the airstrip tonight. Nick is reluctant and tells John that it could get messy. John flippantly says, “Then wear a smock,” and hangs up. Nick’s head drops, knowing what he has to do.

Bellick continues to struggle in the pipes below the Guard’s Room. When Bellick hears two C.O.s enter above, he does his best to make noise. But the C.O.s can’t hear him over their own conversation.

As the P.I. crew tends to an area of the yard, Michael watches the entrance to the Guard’s Room. Sucre asks if Michael has handled their access to the infirmary. When Michael says, “I’m working on it,” Sucre walks away, looking unhappy. Michael watches the two guards exit the break room. The escape crew’s secret appears to be safe for now.

Tweener, raking the yard, moves closer to C.O. Patterson and asks if he’s seen Bellick. Westmoreland stands nearby, listening in. Patterson tells him that he hasn’t shown up yet. Charles barks for Tweener to come help him.

Behind them, John pockets handfuls of manure fertilizer to cover his scent later.

C-Note walks up to Michael and tells him things are about to get ugly between T-Bag and Abruzzi. He shows Michael the blade he took from T-Bag and tells Michael that if he had been ten seconds later, Abruzzi would have been dead. C-Note tells Michael if he wants to be the boss then he needs to set T-Bag and Abruzzi straight. There can’t be any complications. C-Note shakes Michael’s hand and passes him the shank.

Sara stares out the infirmary window as Katie walks in talking about some paperwork from the county. When Sara snaps to, she asks Katie to handle the paperwork because she needs to leave. Sara grabs her coat and purse, offering no further explanation to Katie.

In the locker room, Westmoreland redresses his bleeding wound with another clean sock. He shuts his locker door and stands near the other P.I. guys. Michael walks in and orders the guys to, “Put your blues on over your P.I. gear.” Michael tells them that if they don’t get the suits they need, then they’re going to have to make them. C-Note grits his teeth and alerts Michael to the fact that Tweener is sitting nearby, hearing every word. Michael says it’s okay, he’s going to be part of the escape. The cons are stunned. Michael tells them that when the plan changed, so did the timing and now everyone can be included in the break. But C-Note speaks up, “One more person means one more thing that can go wrong.” Michael defends Tweener, telling C-Note that he owes Tweener. Michael tells Tweener everything will be fine. John stares at Michael, unsure of how good of a leader he really is.

The men walk single file back to A-Wing. One of the C.O. storms out of the locker room and tells them to stop. He tells them he saw drops of blood on the locker room floor and needs an explanation. When no one speaks up, Michael thinks fast and puts his hand into his pocket with the shank. He clenches his jaw and slices his thumb open. Then he turns to the C.O., “That’d be me boss. Happened while I was loading equipment into the shed.” The C.O. tells Michael to make sure he gets that patched up, then sends them all on their way. Michael then turns his attention to Westmoreland. Michael asks him if he’s okay. Westmoreland assures Michael that he’s okay enough to make it out.

Sara sits in her parked car with her eyes closed, muttering to herself. She then digs out her cell phone, “Hey, Shelly, it’s me. I know I’m supposed to call you as my sponsor in case I have…um…” Sara never finishes her thought as she stares at the bar across the street. She hangs up and gets out of her car, making her way toward the bar.

Michael kneels next to the Taj Mahal model with his hand high inside the dome. Suddenly, he snaps off a thick “L” shaped piece and puts it in his pocket. Pope walks in, excited that his Taj is nearly complete, just in time for his anniversary. Pope tells Michael that he feels fortunate to have met him because “not many decent men make their way into Fox River.” Michael solemnly replies that there are a few decent men down in A-Wing. Pope walks behind Michael and says, “If there’s anything you need, well, I owe you one.” Michael slowly turns, “Actually…there is one thing you can do for me.”

Michael, now inside Lincoln’s Ad Seg cell, looks around the cell for any way that he can get his brother out. Lincoln sits on the floor, chained to the wall. He gives Michael the back-story about their father’s involvement with the Company, but Michael isn’t paying attention. Michael kneels down next to Lincoln and tells him they must escape tonight because Bellick found the hole. Michael continues to analyze the situation, but Lincoln snaps at him, telling Michael to go without him. Lincoln says there’s no way Michael will have enough time to get him out. Michael finally sits still, knowing that he may have no choice but to leave his brother behind.

C-Note carefully pulls his pant leg down to conceal several plastic bags of peroxide that are taped to this leg. He kneels next to a counter and continues filling up additional bags. Trumpets walks in on C-Note, catching him off guard. Trumpets closes in on C-Note and reminds him that he’s no longer in business. But C-Note says this is personal. Trumpets spots the bag of peroxide that C-Note is holding close to his leg, “What you got over there anyway, some kind of cleaner? What’chu trying to clean up, Sergeant Franklin?” That pushes C-Note over the edge. He splashes the peroxide in Trumpets’ face. Trumpets staggers and grabs for his burning eyes. C-Note pounces, delivering several furious punches before Trumpets collapses to the floor. C-Note is relentless as he stomps on Trumpets again and again. Finally, C-Note backs off. He spits on Trumpets as he turns and walks away.

Sara sits alone at a bar, her eyes fixated on the untouched glass of scotch in front of her. In the background, a reporter chatters on about the Vice President’s possible running mates for her Presidential campaign. On a TV above the bar, the Reporter drones, “Rumors coming out of Vice President Reynolds’ camp detail a preliminary ‘short list’ of running mates should she, as expected, win her party’s nomination. Perhaps the biggest surprise is the inclusion of Illinois Governor, Frank Tancredi.” The mention of her father’s name gets Sara’s attention. Sara’s listens intently as the reporter finishes, “His consideration is being attributed to his reputation for being tough on crime. And some point to his recent refusal to grant clemency to Lincoln Burrows, the murderer of the Vice President’s brother, which was certainly welcomed with deep appreciation from within the Oval Office.” Sara starts to put the puzzle pieces together. She doesn’t like what it adds up to. She jumps from her chair, leaving the drink behind.

C.O. Stolte looks over the monitors in the guard shack outside of A-Wing. He then looks up at the sign in board with all the names of each C.O. written out. Every C.O.’s name has an “X” next to it except the first name on the list, B. BELLICK.

In his cell, T-Bag crushes the brussel sprouts he acquired earlier and spreads the goo throughout his bed to cover up his scent.

Similarly, Abruzzi pulls his bed apart and spreads fertilizer all over everything he has touched. His cellmate sits at the desk watching John and thinking he’s crazy.

Westmoreland leans against his cell wall doing what he can to forget the pain of his injury while he grinds a bar of soap against the wall to get rid his scent. He stops as a C.O. walks by. Once it’s clear, he continues with the soap.

Tweener stands at his cell door, doing nothing to prep for the escape. C.O. Stolte barks out, “Open on 88!” and then enters Tweener’s cell. He tosses a small package onto Avocado’s bunk. Tweener asks what’s in the package. Stolte tells him, “Avocado’s gear. He’s getting out of the infirmary tonight.” The urgency of escaping from Fox River has just sunk in with Tweener. Stolte asks Tweener about what he told Patterson earlier, “I heard you were asking Patterson about Bellick? He said you thought you saw him this morning?” Tweener looks across the floor and locks eyes with Michael. Tweener knows he can’t betray Michael now and tells Stolte that he saw Bellick yesterday morning, “You know, time just sorta blends together up in here.” Stolte leaves Tweener to worry about Avocado’s return.

Sucre holds up the peroxide bag, confused about what he’s supposed to do with it. Michael tells him to pour the peroxide into the toilet. They’re going to use the peroxide to bleach their blue P.I. jumpsuits white so they can move through the Psych Ward without drawing attention. Michael folds his suit and Sucre’s, then hands them to Sucre who shoves them in the toilet. Sucre says it looks like they will have everything they need to make their escape, except for Lincoln. Michael turns and walks to the cell door, holding the piece he broke from the Taj Mahal, “You worry about those suits, let me worry about Linc.”

The President of the United States shakes the hands of several foreign dignitaries as Vice President Reynolds moves in. The President asks his aide to give them a few minutes. The President and Reynolds walk down a road followed closely by a team of Secret Service agents. The Vice President wants to know why the President changed his mind about the energy bill. The President admits that while the bill is flawed, it is better than doing nothing at all. But what’s more interesting to him is that Reynolds is there asking him to veto a bill that she voted in favor of. When Reynolds tells him she’s only thinking of her future, the President tells her that he’s now considering backing someone else. This is a serious blow to Vice President Reynolds. The President tells her that she is everything that is wrong with politics. Reynolds tells the President not to take the moral high ground because the only reason he chose her as a running mate was because she was a woman. Reynolds quickly realizes she may have said too much. She tries to back track, but the President simply walks away.

C.O. Patterson stands next to the Taj Mahal model and jokes to Warden Pope, “You know what I got my wife for our anniversary? A scarf.” Pope reminds Patterson that this anniversary is a big one for him and he needed to do something special. Pope, Patterson and another C.O. get ready to move the massive model downstairs. When they lift it, the dome suddenly collapses inward. Pope panics. The men gently put the model back on the table. Pope sends the C.O.s to get Michael immediately.

Michael hurries Sucre to get the bleached jumpsuits out of the toilet. They need to be dry in forty-five minutes, right at tier-time. Sucre wonders if everyone else will be ready. Michael says they don’t have a choice because they’re going to need every second. C.O. Mack barks out, “Open on forty!” Sucre crams the suits back into the toilet, then pulls his pants down and sits over them. Mack tells Michael that Pope needs to see him immediately. Sucre whispers out, “It’s 6:15 bro! You can’t!” But Mack pulls Michael out.

The C.O.s escort Michael through the floor of A-Wing. C-Note, Abruzzi, T-Bag and Westmoreland watch him pass from their respective cells. Their apprehension evident.

Bellick, exhausted, continues to futilely struggle with his restraints. When he finally relaxes, he feels something with his hands. A jagged bolt protrudes from the concrete walls of the tunnel. With new hope, Bellick begins to furiously rub the rope across the jagged bolt.

Sara walks into a quiet restaurant. Sitting near the window is large table of well dressed men and women. At the head of the table is Governor Tancredi. The Governor sees his daughter and excuses himself to speak with her. Sara, with current suspicions lingering in her mind, asks her father if he looked at the information from Lincoln’s lawyers. The Governor dismissively tells her to move on. Dodging the question, he tells her that Lincoln’s attorneys had a chance to present new evidence, but that time has passed. Sara asks one more time if he actually looked at the information. The Governor finally says he didn’t need to look at the information because he agreed with the findings of the court. Sara lashes back and asks, “Just tell me one thing - did they promise you the Vice Presidency before or after you signed his death warrant?” But her father punches back, “I will not discuss morality with an addict and a thief. You wanna talk reality, Sara? How many times did I use my influence to keep you or one of your junky boyfriends out of jail? How many was it? Three? Four times? I swear Sara, it’s funny you know? You have no trouble whatsoever with me bending the law, especially when it’s bent in your direction. Grow up.” The Governor walks back to his table and Sara leaves with fresh wounds from her father’s words.

Stolte and Patterson continue to debate Bellick’s whereabouts. Abruzzi listens in from his cell. Stolte finally takes charge and tells Patterson, “I’m just sayin’...it’s 6:30 and no one’s heard from the guy. We gotta tell Pope.” Patterson, reluctant, say’s he’ll tell the Warden.

Veronica hurries around her apartment getting ready for their flight to Blackfoot. Nick sits on the couch doing the best he can to slow her down. Nick tells her that he thinks going to Montana might not be a good move. Veronica tells Nick she’s getting on that plane with or without him. As Veronica moves to grab one of her bags, Nick gets behind her and pulls a revolver from waistband. Veronica turns and sees Nick aiming the gun at her. Nick tells her that he can’t let her go to Blackfoot. Veronica goes on the offensive and begins asking Nick questions, “ All this time and you’re one of them. Who’s pulling your leash, Nick? Is it Steadman? Kellerman? Who?” When she demands that Nick look her in the eye, he can’t. He hates that it had to come to this. She tells him he’s a coward.

Michael sits outside Pope’s office, fidgeting with the broken piece of the Taj Mahal model. Pope and Patterson exit the Warden’s office with some urgency in their step. Patterson continues on. Pope has his assistant, Becky, dial the number for Bellick’s mother. Pope takes the phone and speaks with Bellick’s mother who confirms that she hasn’t talked to Bellick since he called her early that morning. Pope hangs up and asks Becky to have C.O. Mack check the parking lot for Bellick’s truck. Michael watches closely through the glass, knowing exactly what’s happening. Pope signals to Michael to come in.

Sucre stands in his cell, holding a picture of himself and Maricruz. His mind lingers on things she has said, “I’m pregnant Fernando, I’m going to have your son…I’m really scared to do this alone.”

Abruzzi removes the silver crucifix from his neck and hides it under his pillow. There’s no looking back now. Soon he will have his revenge on Fibonnaci.

Sitting on his bunk, T-Bag unfolds a napkin. Written on it is Susan Hollander’s name and address.

C-Note paces the small space between the bunks and wall, knowing that he’ll get to see his family soon. He looks up and sees Trumpets keeping a close eye on him. C-Note knows when the cell doors open, Trumpets and his boys are coming for him.

Tweener rests his head on the cell door and then looks back at Avocado’s belongings on the top bunk. Knowing that he has no choice, Tweener grabs his P.I. jumpsuit from under his bunk, throws it in the toilet and covers it in the peroxide.

Charles opens his gold pocket watch and looks at the old black and white photo of his daughter. Time is running out. He must see her before she dies. He lifts up his shirt and exposes the wound. It’s still bleeding. Charles fights the urge to scream in pain as he applies another clean piece of cloth.

Still chained to the wall, Lincoln stoically sits contemplating the memories of his near-execution. As the terrifying images flash through his mind, he wonders whether or not Michael listened to him and is leaving without him.

Nurse Katie gets ready to leave for the night. She closes the infirmary door, being sure to lock it behind her

Sara walks along Chicago’s lakefront alone, her world falling apart. We’re left to wonder what she will do with the information she’s put together.

“I’ve read that the actual Taj appears pink in the morning, milky white in the evening, and golden when the moon shines. The changes, they say, depict the different emotions of a woman,” Pope rambles on to Michael as they stand around the model. Michael stands quietly with something clearly on his mind. Pope tells Michael about the dome collapse. As he finishes, Michael places the “L” shaped piece on the table. Michael’s tone turns sinister as he tells Pope he broke the piece because he needed to make sure he’d be allowed back into Pope’s office. Michael slowly removes his hand from his pocket, revealing the shank C-Note passed to him earlier. Pope struggles to comprehend what’s going on.

Michael holds the shank close to Pope and with intense determination tells him, “I’m breaking out. And you’re going to make sure my brother goes with me.”

 

Reference

《越狱》第一季-剧情介绍-第十九集

翻车后林肯被甩出车外，头破血流，多处受伤。特工坎勒曼驾车出现，准备捂死无力反抗的他。另一个男人出其不意地打晕坎勒曼，拖走了林肯。
　　苏克雷被放出禁闭室，越狱小组重新聚首，迈克尔告诉他们医生办公室是他们出逃的必经之路，一定要拿到房门钥匙。这时约翰-阿布兹伤愈归来，一副虔诚信徒模样的他告诉迈克尔仍然愿为越狱提供飞机。
　　贝里克说服波普向上瞒住林肯失踪的事，自行展开追踪。昏迷不醒的林肯被神秘男人带到废旧车处理场藏起。
　　医务室里迈克尔出其不意吻了萨拉，但面对她的质询，他始终无法下手偷得钥匙。醒来的林肯认出了眼前的男人正是他的父亲。父亲告诉林肯，自己为掌握国家大权的“公司”工作，他们为了阻止他离开，故意陷害林肯。维罗妮卡查阅了奎因的通话纪录，对蒙大那的一个号码产生怀疑。
　　阿布兹来找“背包”，表示愿意勾销“刀片割喉”的旧帐，“背包”将信将疑，充满戒备。图纳不堪忍受同室犯人Avocado的性侵害，用刀片将其划伤。妮卡和萨拉在餐厅谈话，下手偷走了她的钥匙，趁探监时交给了迈克尔。
　　林肯和父亲的谈话中泄露了“公司”更多的内幕，父亲表示将会和他一起拨乱反正，两人打算离开时，坎勒曼和警察闻讯而至，包围了旧车场。坎勒曼发现林肯，正欲对他动手，林肯向贝里克自首，父亲悄悄离开。
　　萨拉发现钥匙不见了，很快怀疑到迈克尔身上，当着他的面，她要工人换掉了门锁。林肯被押回监狱，波普命人24小时监视他。图纳为保命，向贝里克告发迈克尔等人的越狱计划，震惊的贝里克砸开警卫室的地面，发现了洞口。

 

參考

 

Prison Break
Episode 119 "The Key"
Airdate: 04/24/2006

Smoke. Wreckage.

Battered and twisted, the Department of Corrections van lays on its side next to the deserted roadway. Smoke wafts by as we discover the motionless form of Lincoln, bloody and unconscious, lying next to the wreck. For a moment, it’s almost peaceful. Then, Lincoln gasps for air and opens his eyes. A few more labored breaths as his blurred vision slowly reveals what has happened.

Obviously in pain, Lincoln turns his head and sees the headlights of a single car come to a stop on the roadway above.

Lincoln tries to focus on the hazy figure of a man slowly walking from the car. The man walks directly to Lincoln. The man then kneels down next to Lincoln, revealing that it’s Agent Paul Kellerman. Lincoln can only wheeze. Kellerman removes a pair of leather gloves from his pocket, and begins telling Lincoln a story. “I used to have a St. Bernard. Big, loyal. Got cancer when it was twelve. So we had to put it down. You think it'd be this big dramatic event, but it was peaceful. One minute he was breathing and the next he wasn't.” Kellerman covers Lincoln’s mouth with the gloves, then sinks a knee into Lincoln’s chest. Lincoln struggles as best he can, but with the handcuffs still around his wrists and the trauma from the crash, he’s too weak to fight off Agent Kellerman.

As Lincoln squirms under Kellerman, fighting to stay alive, another car pulls to a stop along the side of the road. A man shouts as he gets out of the car, “Hey, do you need me to call 911?” Kellerman takes his hand off Lincoln’s face as the would-be Good Samaritan approaches. Lincoln gulps for air. The Samaritan, his face concealed by a baseball cap, continues to comment on the condition of the van as he removes a fire extinguisher from his trunk. Kellerman’s face sinks, he doesn’t have time for this. Kellerman stands and reaches for the gun tucked in his waistband. The Samaritan walks past Kellerman, toward Lincoln. Kellerman tries to draw his gun, but before he can—BAM! With a vicious swing of the fire extinguisher, the Samaritan lands a brutal blow to the side of Kellerman’s head. Lincoln, losing consciousness, looks up to see the Samaritan dragging him away from the wreck. Kellerman lies in the ditch, unconscious from the blow.

Sucre steps out into the daylight of the Fox River Yard, free from doing his time in Ad Seg. He excitedly moves across the yard toward the handball courts, where Manche greets him with open arms. Michael embraces his cellmate, but T-Bag wants to get down to business. Michael tells them he was able to get what he needed and has completed the map. Michael now knows his way through the psych ward, but there’s still one obstacle that could keep them from getting into the infirmary. Instead of being able to come up through the floor of the infirmary, which was the original plan, the cons now have to make their way down a 30-foot hallway and through the infirmary door. All they need now are the keys to the infirmary. C-Note isn’t worried. He thinks all they’ll need to do is steal a set of keys from a C.O. Unfortunately, it won’t be that easy. Michael informs them that only the medical staff have keys to the infirmary. T-Bag wants to know how Michael plans on getting the keys. Michael response is, “Carefully.”

Westmoreland then steps away from the group. He’s staring at something. “Jesus, Mary, and Joseph,” he mutters in shock. The cons follow Westmorland’s gaze though the fence and see a Department of Corrections bus unloading Fox River’s newest guests. Packed in the middle of the shuffle is a familiar face. The face of John Abruzzi.

Back from the “dead,” John Abruzzi slowly walks in line, making eye contact with the escape crew. T-Bag’s jaw drops, as if he’s seen a ghost.

In the mess hall, Abruzzi sits alone at a table, praying over an open Bible. Michael walks up and greets him. John stands and embraces Michael as if he were a long lost friend. Wary, Michael asks John how he is. “Any day above ground is a blessing, thanks be to God,” is Abruzzi’s response as he invites Michael to sit with him. John says he’s surprised Michael is still there. Michael tells him there were a few setbacks. Michael cuts to the chase asking, “How does the idea of escaping sit with the new you?” John replies that the old sinner deserved to be in Fox River, but his new soul deserves to be free. Michael then wants to know if Abruzzi can still provide a plane. John’s cryptic response is, “Noah had his ark, did he not?”

T-Bag watches Michael and John from across the hall, he’s clearly nervous. He leans toward a rough looking inmate eating with him, “I’m gonna need a blade. Pronto.”

Pope paces his office, news of the hit and run on Lincoln’s transort is sinking in. Pope asks Bellick for the facts. Bellick confirms Lincoln is missing, two officers are dead, and one is in critical condition. Pope snaps nervously at Bellick, “Forty years in corrections and this is how they’re gonna remember me.” Bellick assures the Warden that no one has to know yet. Bellick wants four hours to try and get Lincoln back before they formally notify the Depart of Corrections. Pope is resistant. Bellick is worried that going by the book is going to get them all fired. He urges Pope not to go by the book this time. Pope looks intensely at Bellick, “Find him.”

A black Mustang drives through a junkyard. The car drives to a secluded corner and pulls in, out of sight. The mysterious man who helped Lincoln earlier gets out of the car and walks around to the passenger side. He opens the door and gently eases the still unconscious Lincoln out of the car.

Nick drops another box full of paper onto the coffee table of his apartment. Veronica sits before stacks of paper, flipping pages, “The records of every phone call to and from every contact stored in Quinn’s cell phone.” Nick tells her that finding something in all this paperwork will take forever, that it’s likely just a waste of time. Frustrated, Veronica wants to know what’s wrong him. She says it seems like he wants to quit. Nick assures her he doesn’t want to quit. Veronica then throws a stack of paper in his lap saying, “let’s get to it then.”

Michael waits outside one of the examination rooms in the infirmary. As Nurse Katie leaves the room, Michael catches the closing door and quickly locks the door from the inside. He then presses it shut. Dr. Tancredi approaches and says good morning to Michael. They each smile at each other as she reaches out to open the door. Finding it locked, she reaches into her pocket and takes out the key. Michael watches her unlock the door, taking note of which key she uses.

At the scene of the van accident, Police and EMT personnel do their thing while Sheriff Nate Ballard discusses the situation with Bellick. Ballard isn’t sure how long he can keep a lid on this thing. Bellick reminds the Sheriff they’ve known each other a long time. Then, a little too urgently, tells Ballard he needs this. Ballard concedes and tells Bellick he’ll be in constant contact. Bellick’s attention then turns to Kellerman, whose fresh head-wound is being attended to in the back of an ambulance. Bellick moves to Kellerman to ask a few questions of his own. Kellerman says his name is Roy Hawkings. Obviously in a hurry to leave, Kellerman stands and heads for his car. Bellick asks where he’s going. Kellerman says he’s late for a meeting in Aurora. Bellick asks where he was coming from. Kellerman, still woozy from the blow to the head, just wants to get out of there. He tells Bellick he was coming from Chicago. Bellick points out that he chose a pretty indirect route to get to Aurora. Kellerman shrugs and says he’s not from around here as he makes his way to his car. Once inside the car, Kellerman immediately reaches down and turns up the volume on his police scanner to track the progress of the search for Lincoln.

Michael sits shirtless on an examination table as Sara goes about cleaning the burn on his back. She turns and throws away the used gauze. As she turns back to Michael, their eyes meet. The moment is electric. Sara is caught off-guard as Michael slowly leans in and kisses her tenderly. She doesn’t pull away. Instead, she moves closer and the kiss heats up. She holds his face, their attraction too intense to ignore. Then slowly, Sarah pulls away. An awkward silence as Sarah takes a breath to compose herself. She looks into his eyes and asks, “What do you want from me, Michael?” Michael is clearly conflicted as to how he should answer. Then, he catches sight of the keychain hanging from Sara’s lab coat. He needs those keys, but he can’t deny his feelings for her. He asks her to wait for him. He tells her, “It won’t always be like this.” She steps away from him, realizing the truth of their situation. Finally, she says she can’t. Just then, an orderly walks into the room, oblivious to Michael and Sara’s encounter. Sara steadies herself, then hurries out of the room.

Tweener walks into his cell and the door closes behind him. He tucks into the corner of the cell as Avocado sits up on the upper bunk. Tweener tries to buy off Avocado, hoping to avoid what Avocado is about to do to him. But Avocado declines, saying, “You only got one thing I need.” Avocado then drops the sheet hung over the cell doors so no one can look in. Tweener realizes he’s in for a rough night.

The next day in the yard, Tweener sits against one of the massive prison walls. He’s feeling very trapped as the abuse is taking its toll. Michael approaches him carefully, and sits next to him. Michael tells Tweener he needs another bump and swipe, similar to when he got Michael’s watch back from Geary. But Tweener is angry. He was busted for the watch and that’s what led to him getting stuck in a cell with Avocado. Tweener tells Michael that if he wants something done, he has to do something in return. Tweener looks over to Avocado, who’s lounging in the yard, and mutters, “Kill that son of a bitch.” But Michael tells him that’s not something he can do. Tweener blurts out, “Screw Honus Wagner.” Michael doesn’t catch what Tweener is talking about. Tweener tells Michael that he stole a baseball card collection from another kid’s father to get some party cash. But there was a 1910 Honus Wagner card in that collection. It was worth three hundred thousand dollars, and that made the crime grand larceny. Tweener fights back tears as Michael’s head sinks.

Lincoln begins to regain consciousness in the cluttered junkyard garage. The man with him sees this and moves around the car to help him. Lincoln looks up at the figure standing over him. His eyes finally focus, allowing Lincoln to recognize the man. Wearily, Lincoln simply says, “Dad?” It’s an uncomfortable reunion. Lincoln wants to know what his father is doing there. His father tells him that he’s going to make sure Lincoln disappears for good this time. He goes on to explain that he worked for the Company. Lincoln wants some answers. He wants to know why his father left. His father tells him that the Company made it clear: if he wanted to rise in the ranks, he’d have to leave everything behind. This was to protect his family. Lincoln is skeptical. He tells Lincoln that he regrets his decision to leave everyday, but he couldn’t come back. That’s why the Company came after Lincoln, to flush out the father.

Michael, on one of the yard pay phones, begs Nika to trust him. Nika tells Michael that she can’t help unless he tells her what is going on. He can’t. Nika reminds Michael that she held up her end of their deal, a green card for the credit card. That’s all. Michael asks her for a new deal, but she doesn’t want him to be in anymore trouble than he already is. She says she doesn’t know why he’s in there, but she advises him to stop fighting. Michael asks her to think about it. Nika just says she’s sorry and hangs up.

Veronica highlights another page in a packet of documents, “There it is again, the 406 number. It’s on every listing.” Nick notes that more than two hundred businesses and another hundred residences in seventeen countries are calling that number. Veronica tracks the 406 area code on her computer, “This doesn’t make sense. All these people from all over the world, are calling this place in the middle of nowhere with a population of 42. Blackfoot, Montana.”

Terrence Steadman places his false teeth in his mouth and picks up a cordless phone. Inside a limo, thousands of miles away, the Vice President’s phone rings. She tells Terrence that if he wants to talk, he needs to set up a face to face meeting. But Terrence continues on, telling his sister that he’s seen her latest polls and that her numbers are dropping. The Vice President tries to hang up, but Terrence insists on carrying on the conversation. The Vice President tells her brother that the “only reason you’re still alive is because I won’t let them kill you.” Bitterly, Terrence fires back, “Yeah, I’m pretty clear on that. But the thing I can’t quite figure is, with the crap storm this thing’s become, why they haven’t killed you.” The Vice President waits a moment, then hangs up.

Michael walks the yard alone, his mind heavy with events of the day: Sara and the infirmary, Nika’s refusal to help. He leans his head against a chain link fence. When he looks up, he sees Sara and nurse Katie walking between buildings. Sara passes, making eye contact with Michael. She catches herself and bashfully turns her head away. Sucre then walks up and asks Michael if he’s figured out how to get the key to the infirmary. Michael says, “Not quite.” Sara takes one more look back at Michael. Sucre notices this and asks, “Are you workin’ a game on her, or what?” Michael, unsure himself, replies that he doesn’t know.

T-Bag shaves in his cell. He is startled when he sees the reflection of Abruzzi appear in his mirror. Abruzzi tells T-Bag he’s had time to think, “Not that you tried to kill me, but about how Jesus saved me.” He tells T-Bag that he hasn’t come to cause any more pain, that he’s ready to forgive T-Bag for what he did. T-Bag is nervous. He doesn’t trust Abruzzi. John offers his hand to shake as a peace offering. T-Bag wants to see John’s other hand. John’s response is, “After all you’ve done, the least I ask is that you don’t insult me.” John steps further into the cell. T-Bag cautiously approaches. Both men tentatively reach to shake hands. After a tense beat, they finally do. The two men call a truce and John walks away. T-Bag breathes a sigh of relief.

Pope storms down the stairs of the administration building with Bellick hot on his heels. Pope is furious that Lincoln is still on the run. Bellick promises Pope that the sheriff’s department has the area blocked off and that it’s only a matter of time until they find Lincoln. Warden Pope tells Bellick he has two more hours and then he must go to the media. He reminds Bellick that they have a killer on the loose and that there are some things that are more important than a career.

Bellick throws his jacket on and gets ready to head out to assist in the search for Lincoln. C.O. Stolte pulls him aside and tells him Tweener “really needs to talk.” Tweener begs Bellick to get him out of the cell with Avocado, but Bellick ignores him and walks off.

Back in his cell, Tweener sits on the lower bunk, fearfully looking up to where Avocado is. Avocado slides his massive body off the top bunk and starts to cuddle up next to Tweener. He tells Tweener to, “start relaxing. Hurt a lot less.” Tweener quietly asks if they can go up to Avocado’s bunk. Avocado likes the sound of that and stands to smooth the sheets. Tweener, now out of Avocado’s eyesight, pulls a razor blade from the metal frame above him. Tweener clenches his jaw, then slashes Avocado with the razor. Avocado cries out in pain.

In the prison parking lot, Sara digs through her purse looking for her car keys. When she gets to her car, Nika comes up from behind her and asks her if she’s the prison doctor. When Sara says yes, Nika asks if she knows Michael Scofield. Sara realizes Nika is Michael’s “wife.” Nike tells Sara that she wants to talk to her. She believes Michael is in some trouble and that he’s going to do something dangerous to get out of it.

At a nearby diner, Sara asks what Nika thinks Michael is going to do. Nika tells Sara that Michael has a deep need to help people, and he saved her from being sold by the men who smuggled her into the United States. Michael gave her an opportunity for a new life. Sara says that she wants to do whatever she can to help Michael, but to do that she needs to know more about what kind of trouble Michael is in. Nika gets flustered and thinks talking to Sara was a mistake. Nika stands and knocks her purse on the floor. Sara bends down to help pick up the purse. As Sara stands up again, she begs Nika for a way to contact her. Nika doesn’t think that’s a good idea. As Nika hurriedly leaves the diner, she asks Sara not tell Michael they spoke.

Lincoln, finally able to sit upright, doesn’t understand how his own death would stop his father. “Because I’m the one who leaked the information about EcoField. They could’ve covered up the scandal a thousand different ways, but they chose to fake Terrance Steadman’s death. And they chose you because they knew it would flush me out. They knew that any man with a son on death row who was innocent would have come forward.” But Lincoln coldly reminds his father that he didn’t come forward. Lincoln’s father tells him that millions of lives could have been saved, by sacrificing Lincoln. But he couldn’t watch his son die. Lincoln turns to his father, furious, telling him that LJ’s mother is dead, Michael is in Fox River and LJ is rotting in some jail, and all of it is his father’s fault. Lincoln’s father accepts the blame, but says there’s still a chance that they can make it right.

Outside the garage, one of the employees at the junkyard notices the black Mustang behind some plastic tarps.

T-Bag slithers across the floor of Gen Pop. Another inmate approaches and quickly hands him a shiv. He tucks the blade behind his back, then begins moving towards Abruzzi’s cell. John sits quietly reading on the bottom bunk. C-Note, swiftly moves in behind T-Bag and grabs T-Bag’s arm just as he was about to charge. C-Note spins T-Bag around and pulls him close and says, “That man in there, is our transportation out of here. Which means, if you go after him, that messes with my chances of me seeing my family. So I ain’t gonna let that happen.” T-Bag stands quietly, knowing C-Note is right. C-Note then tells T-Bag to give him the shank he’s holding. Reluctantly, T-Bag gives up the shank. C-Note calmly walks off as T-Bag slides away.

Back at the infirmary entrance, Sara digs through her purse. She can’t find her keys. An orderly has to let her in.

Nika sits with Michael in visitation. Michael apologizes to Nika for getting her involved. Nika says it’s okay as she takes his hand, subtly passing Sara’s keys to him. Michael thanks her as he stuffs the keys in his sock. Nika says that now they are even. Michael tells her she didn’t owe him anything. She says she owed him everything, but that’s over now. Nika stands to leave, and whispers to Michael, “The lady doctor, she cares for you.”

Bellick paces the hallway of the administration building. C.O. Patterson rushes in with a walkie-talkie, the Sheriff is looking for Bellick. Sheriff Ballard relays to Bellick that the junk yard owner spotted the black Mustang and they’re moving to check it out. Bellick says he’ll be right there.

Kellerman, listening in, puts down the police scanner and speeds away.

Lincoln’s father goes over their escape plan. He tells Lincoln there’s an unimproved road by the river. There’s a chance it hasn’t been blocked off yet. Just as they are about to get in the car, Lincoln sees Kellerman through the plastic hanging over the garage. Lincoln and his father hurry out the back on foot.

They crouch behind cars, trying to keep and eye on Kellerman as they make their way through the forest of discarded junk. Kellerman, gun drawn, is on the hunt. He moves slowly, deliberately as he seeks his target.

Now police cars flood into the compound. Staying low, Lincoln and his father double back, away from the main road. Kellerman also sees the police cars and quickly attaches a silencer to the barrel of his gun.

Bellick, shotgun in hand, now combs the rows or cars with Sheriff Ballard.

Lincoln’s father leads them to a way out of the yard, but Lincoln hesitates. Kellerman turns the corner, gun raised, and calls to Lincoln. Lincoln whispers to his father, “Get out of here.” Kellerman closes in with Linclon square in his gun sights. Kellerman orders Lincoln to turn around.

Lincoln then sees Bellick moving on the other side of the fence. He calls out, “Bellick! Don’t shoot!” Lincoln knows that Bellick’s punishment will be harsh, but at least he’ll be alive. Kellerman is forced to run for cover as the police move in on Lincoln. Lincoln painfully drops to his knees and the police restrain him. Lincoln’s father hurries away from the scene.

Michael huddles over his desk, trying to melt the plastic handle of his toothbrush so he can mold it into a key. Sucre enters the cell and asks if Michael heard about Avocado. Sucre tells him that Avocado was cut up pretty bad, but told people it was the bed frame. Sucre says that Tweener sliced him. Avocado is lying about the bed frame because he doesn’t want Tweener in the SHU. Once Avocado gets out of the infirmary, he’s going to kill Tweener.

Sara and nurse Katie tear the infirmary apart looking for the lost keys. Katie tells her to retrace her steps. Sara tells Katie she noticed them missing, right after lunch. Then she figures it out. Nika must have used her frantic exit as a diversion to get the keys out of Sara’s purse. Sara jumps up and finds a C.O., she tells him she needs to see the visitation log. She grabs the clipboard and scans the names. She finds Michael’s, then moves her finger across to find the name “NIKA VOLEK.” Obviously upset, she puts the clipboard down and leaves.

As Michael walks through the yard, John stops him says he needs to know where Fibonacci is. He explains that his conversion requires that he not only seek forgiveness, but also provide forgiveness for those who betrayed him. Michael remains quiet. John pleads with Michael, but Michael refuses. John says he understands and that he’ll be patient.

Having walked away from Michael, John then makes a phone call. A man on the other end answers. John tells the man, “You’re now officially on standby. You’ll have her there, you understand?” We now see John is talking to Nick Savrinn. Nick, replies with a heavy heart, “I’ll do my best.” In old Abruzzi fashion, he continues, “Good. Goose Park Airstrip. Find it on the map. Soon as I call, you have that bitch there ready and waiting.”

Michael finds Tweener at the bleachers. Michael tells Tweener to go to Ad Seg, but Tweener knows admitting what he did to Avocado would add time to his sentence and that he’s a dead man either way. Michael tells him that there might be another way out of Fox River, but he needs to know if he can trust Tweener. Tweener locks eyes with Michael. Tweener now knows there’s something bigger going on.

In the infirmary, Michael rolls up his sleeve as Sara walks in with his daily insulin injection. Michael tries small talking Sara, but he can tell things have changed. Katie walks in and tells Sara that she found her keys over by her inbox. Sara stares fiercely at Michael. Michael can’t look her in the eye. Katie adds, “There’s a maintenance guy waiting outside -- said you wanted him to change the locks. Should I call him off?” Sara eyes Michael for any response, but then says to send him in. Sara asks Michael if there’s something wrong. Michael tries to cover by asking if she wants to talk about what happened earlier. But Sara coldly says she has a pretty good idea and sends Michael off. The maintenance man throws the old doorknob into his work box as Michael walks by, defeated.

Lincoln, still in pain, shuffles his cuffed legs out of the van and back into Fox River. Warden Pope stands waiting, then barks out, “I want him under twenty-four hour surveillance. He doesn’t sneeze without my knowing it.” When Lincoln pleads that someone tried to kill him. Pope tells him that finding Lincoln 8 miles away from the accident scene makes him believe otherwise. C.O.s march Lincoln back to Ad Seg.

Obviously in a good mood, Bellick sings to himself as he strolls into the yard. Tweener checks to see if anyone is listening, then calls for Bellick at the fence line. Tweener tells Bellick that he has information for him this time, but he wants guaranteed protection from Avocado as well as time taken off his sentence. Bellick laughs it off, figuring that Tweener is bluffing. Tweener continues to plead. Bellick gets serious and tells Tweener it’s his last chance to prove himself. Tweener leans in close to Bellick, “Scofield and his whole P.I. crew…they’re escaping.”

Bellick furiously tears apart the guard room. He grabs a sledge hammer and begins hitting the floor until he hits something that sounds hollow. Bellick drops the sledge hammer, then flips up the couch and tears up the carpet. He takes the sledge hammer and smashes it repeatedly into the hollow spot. Bits of concrete and plywood fly as Bellick furiously whacks away at the floor. Then, Bellick breaks through. His eyes are wide as he stares down at what he’s uncovered…Bellick has found the hole!

 

Reference